cave空间源于“洞穴”的概念，源于原始山洞里的篝火与温暖，处理人与空间，空间与空间之间的界面关系。大家簇拥而坐，有歌声有酒，单纯而美好。

设计者希望利用洞穴的概念来阐述人与空间、空间与空间的界面关系。洞穴的创造，结合球体和墙壁，是整个空间的基本界面。设计使人与空间、空间与空间的关系既独立又相互渗透。

这些“洞口”在外观上形成了特点鲜明的建筑的门窗，半圆的门窗的构造在众多的横平竖直的建筑环境中别具一格。透过外观的这些半圆形的门窗，无论哪个角度我们都可以看到cave club的吧台。隐约的灯光，动人的音乐，还有里面的人们都勾起了进去一探究竟的欲望，步入内部的空间更是由不同的洞口围合而成的半开放的包间和开放的大厅，空间独立又暧昧。这些空间不再是传统的间隔，空间所有的元素造型都是灵动的自由的。空间的半开放使得整个空间的所有时间，事件，人物，视觉，嗅觉，听觉都感觉融合叠加在一起了。

体验感是开放的，却又是独立的；使得人与空间，空间与空间之间即独立又相互渗透。

The idea of CAVE project stems from ancient cave, from its interfacial relationship between gathered-twigs fire and warmth.While mentioning ancient cave, the pure and good scene,like people clustering around fire, singing and drinking,will then occur in our mind.

Designer would like to utilize the concept of cave on the interfacial relationship between people and space, space and space.The creation,  the cave-holes, combining sphere and wall, is used as the fundamental interface for the whole space.

These semi-round door and windows make it stand out the boxy buildings. Through any exterior door and windows, the bar table of CAVE CLUB can be seen at any angle. After stepping inside, people will find a better experience than standing outside. The space is independent but also with obscure boundary, semi-open booths and open-hall are all shaped by variety-size holes.

These spaces are no longer the traditional spacing, space all the elements of the modelling is clever and free. The semi-open space makes the whole space all the time, events, characters, vision, smell, hearing all feel fusion superposition together.

Experience is open, but independent; So that people and space, space and space between the independent and mutual penetration.