我在设计这个项目的时候，在探索一个命题，设计的内核是什么？

业主作为美学意义上的唯物主义者，她对器物的营造、摆放、收藏都富有心得。她认为生活的真意，是必须依托物象，才能观照内心。而面对欲望，不是靠单纯地节制，而是靠驾驭。设计师需要把这份精神和智慧，内化为空间诗意和境界。

私宅设计，就是让空间和器物，对人的内在精神有所回响，三者归一，构成有形有态的生活意境和场能。

而驾驭欲望，就是要把生活艺术化，它很大程度上是讲究在生活中对物的处理，从审美，到品质标准，再到仪式感，最终把生活空间转化为生活境界，这需要建立在对设计和物件的极致要求之上。

比如，灯光要能配合人的情绪，能自由流淌，又能适时收起。灯具的设计就犹为重要，有光的时候，灯要懂得隐藏；无光的时候，灯的本身就是赏心悦目的艺术品。

当代人的居住，功能只是满足了生活的基本诉求，体验感、仪式感和专属感是功能之上的一种升华。在空间里面表达独特的个人气质、性格与对生活的索求，是我自始至终需要探究的课题。

当人与器物、空间三者气韵相通时，便是生活意境的达到，是“心外有物、心中无物”的觉知。这种去枝叶立主干的智慧，不是与生俱来。格物而致知，是在唯物与唯心之间不断寻找需求的平衡，是经过岁月沉淀之后的坦荡与豁达。

器物、场所、内心三者，是物境、意境、心境哲学层面的递进关系，呈现了当代空间设计的理性与本真。在这样的设计哲学引导下，人在空间里所到之处，都能自在自如、张驰有度、圆满自足。

When I was designing this project, I was exploring the proposition, what is the core of design?

As a materialist on aesthetic sense, the owner has rich experience in the creation, placement and collection of implements. She believes that the real meaning of life is to rely on the image, can look at the heart. And desires are faced, not by mere abstinence, but by mastery. Designers need to internalize this spirit and wisdom into space poetry and realm.

Private house design, is to let the space and objects, the inner spirit of the people have echoes, three unified, constitute a tangible state of life artistic conception and field energy.

To control desire is to turn life into art. To a large extent, it is about dealing with things in life, from aesthetics to quality standards to ritual sense, and finally transforming living space into living realm. This needs to be based on the extreme requirements of design and objects.

For example, the light should be able to cooperate with people's emotions, can flow freely, and can be timely folded up. The design of lamps and lanterns is still important, when there is light, the lamp should know to hide; When without light, the lamp itself is a pleasing work of art.

The living function of contemporary people only satisfies the basic demands of life, and the sense of experience, ritual and exclusiveness is a sublimation above the function. Expressing unique personal temperament, character and pursuit of life in space is the subject that I need to explore from beginning to end.

When people, objects and space are interlinked, it is the realization of the artistic conception of life, the awareness of "there is something outside the heart, there is nothing in the heart". This kind of wisdom without branches and branches is not born with. To know is to find the balance between materialism and idealism. It is to be magnanimous and open-minded after years of precipitation.

The objects, places, and hearts are the progressive relations of objects, artistic conception, and mood philosophy, presenting the rationality and authenticity of contemporary space design. Under the guidance of such design philosophy, people can be at ease, relaxed, and satisfied wherever they go in the space.